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2014 SOM Prize for Architecture, Design, and Urban Design
Out of the Shock: Field Research on Reconstruction after Earthquakes and Tsunamis

Erioseto Hendranata traveled to Chile, China, India, Indonesia, and Japan to investigate the notion of risk and crises in the field of architecture and landscape as a natural or man-made event or process that impacts both the society and the territory it inhabits.

Erioseto Hendranata
Massachusetts Institute of Technology
Department of Architecture

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Jackie Chan Village, Lambadagigteng. © Erioseto Hendranata.

Jury
Leo Chow (Chair)
E. B. Min
Elizabeth Ranieri
Stanley Saitowitz

The majority of discussions and pedagogy of architecture are often centered around the topics related to the built environment, i.e., the history, concept, and means of creating spaces for human occupation from a building to a city scale. This view often frames architecture as, primarily, a collective practice of constructing space and environment. While this indeed forms the majority of efforts in spatial endeavors, current practice of architecture often undermines and does not consider how these spaces may need to be periodically reconstructed.

Natural disaster redefines how the practice of architecture may be evaluated under different criteria. Under this lens, space is subject to the intertwined notions of risk and crises that frame architecture and the wider territory it inhabits. We can view risk as a series of projections of the possible future scenarios that lead to collective assessment of elements leading to a crisis. The magnitude of these destructions highlights that both are prominent factors in any part of urban or suburban lives and must be taken into consideration in architectural practice.

Beyond the immediate humanitarian efforts that are often short-lived, this research appraises the progress and aspects of reconstruction in the aftermath of earthquakes and tsunamis, referred here as “The Shock.” It primarily focuses on how reconstructed buildings and landscapes express various forms of social and spatial strategies. This is based on field observations and findings from surveys conducted in five countries in 2016, i.e., Indonesia, India, Japan, China, and Chile.


Report Structure

While there are common threads that can be identified throughout, this research does not attempt to formulate a definitive set of strategies for reconstruction; one can only scratch the surface of the huge societal impact these events left behind. Instead, it presents a wide range of reconstruction aspects of the seemingly isolated yet globally interconnected events. One example is the 2004 Indian Ocean Tsunami, which despite originating in Southeast Asia, also impacted multiple countries subsequently. The report is organized into five chapters, each containing country-specific cases of reconstruction efforts following a shock event.

Each chapter begins with an introduction of the place where a crisis was located, presenting it through narratives of the site surveyed to quickly set the contextual ground plane for the subsequent discussions. It then highlights aspects of territory-specific resiliency strategies that have been implemented. In some cases, these incorporate defensive measures that have been integrated into the daily lives of people for mitigating the impact of future crises.

Finally, the report discusses some key aspects that pertain to reconstruction efforts. It then concludes by arguing that risk and crises should be understood as integral elements to architectural practice.

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Jackie Chan Village, Lambadagigteng. © Erioseto Hendranata.

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Jackie Chan Village, Lambadagigteng. © Erioseto Hendranata.

Practicing with Crises in Mind

If desperate times truly call for desperate measures, then arguably we should consider reconstruction and resiliency as two important components in designing and planning our communities.

Not only do crises put the literal notion of performance of building and construction under examination, but they also highlight architecture as a cultural practice—able to address societal needs while providing a backbone for building infrastructures. Placemaking is therefore inseparable from risk, thus design and construction process should actively engage with it.

A handful of well-known designers have taken on a model of practice that engages with risk and crises, for example the offices of Shigeru Ban and Alejandro Aravena. Ban’s practice in Tokyo is widely known to operate on two fronts simultaneously. One is the design office that executes commercially profitable projects, and another that focuses on voluntary pro bono projects for humanitarian architecture in collaboration with organizations such as the United Nations.

Academic-practitioners such as KMDW (Kobayashi Maki Design Workshop), combines practice with applied academic research. Their CNC-cut prefab timber construction research, in collaboration with their Keio University students, resulted in the Maeamihama Veneer House.

Besides conducting his personal research on the social aspect of reconstruction, Yoshihiro Hiraoka also organizes a research and design experience for a group of students working with a specific local community in Tohoku, including with Professor Shun Kanda who initiated the annual Massachusetts Institute of Technology 3.11 Design Workshop.

After the reconstruction period in Tamil Nadu was over, Durganand Balsavar, who designed the tsunami nagars in Nagapattinam and the Mattampatinam, still continues to conduct research on crisis management such as during the recent Kerala flood. Snigdha Sanyal, Suresh Dash, and Eduardo Aguirre have all continued to inspire their students to explore and understand land risks associated with design at Indian Institute of Technology Bhubaneswar and Talca University respectively.


Single Shock, Multiple Reconstructions

The aftermath of a shock will always remind us how interconnected these events and their impacts are. During the 1960 earthquake in Valdivia, countries as far as Japan directly felt the tremor, while in 2011 the wave from Tohoku tsunami sent debris to the Chilean coasts. Each time a local tectonic plate shifts, the crust of the Earth is globally reconfigured. In a way, each event can also be understood as a warning of the next big unexpected shock on its way. The New Yorker article from July 2015 highlights the anticipated earthquake, referred to as “The Big One,” predicted to hit the Pacific Northwest of the US in the near future. The article, backed by scientific research and based on real evidence of the recurring shocks behavior has triggered a series of architect-led grassroots initiatives in teaching survival skills in different neighborhoods, for example in downtown Portland.

To understand risk and crisis is inherently a call to learn about culture, geography, and people. Therefore, it is not far-fetched that architects and urbanists should actively take on more field research. With many places set on a course in learning to be resilient, it is imperative that we view reconstructions as opportunities in restrengthening a community through a transformative and expanded architectural and urban design mindset.

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Silver Beach, Cuddalore, India. © Erioseto Hendranata.

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Silver Beach, Cuddalore, India. © Erioseto Hendranata.

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Silver Beach, Cuddalore, India. © Erioseto Hendranata.

Onagawa City, Japan. © Eriosoto Hendranata.

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Iwanuma, Watari, Yamamoto, Japan. © Eriosoto Hendranata.

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Damen Village, China. © Eriosoto Hendranata.

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Maule River, Constitución, Chile. © Erioseto Hendranata.

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Maule River, Constitución, Chile. © Erioseto Hendranata.

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Maule River, Constitución, Chile. © Erioseto Hendranata.

Chile

China

India

Indonesia

Japan

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Erioseto Hendranata
Massachusetts Institute of Technology
Department of Architecture

Erioseto Hendranata

grew up in a small coastal town of Cirebon, West Java, Indonesia. At age 12, he traveled outside the country for the first time, visiting Europe, where the cities made a strong impression on him. Following his studies at a local high school in Cirebon, Hendranata took further high-school-level studies at St. Andrew’s College, Cambridge, where he was inspired by his course in Arts & Design and the classical sculptures at the Cambridge Archaeological Museum. He commenced his initial architectural training at the Welsh School of Architecture at Cardiff University (2005–2008), where he received a BSc in Architectural Studies (RIBA Part 1) and was honored with a First Class Honours degree. Following receipt of his degree at Cardiff, between 2008 and 2012, Hendranata gained practical work experience at offices in both London and Cambridge, Massachusetts. Enrolling at the Massachusetts Institute of Technology (MIT) in 2010, he served as a TA in both the undergraduate and graduate schools while earning his MArch degree, received in February 2014. He was awarded the Avery Leadership Award, and full-merit Scholarship Awards for his academic achievements at MIT. Hendranata’s career aspirations include “learning and contributing as much as possible at the office of Diller, Scofidio + Renfro,” in New York City, where he has been employed since February 2014. In the immediate future, he wants to be “a designer with a small atelier of 5–10 persons, with works that can address cultural and social issues.” Having had the opportunity to be a TA at MIT, he is also interested in being involved with teaching, as well as the practice of architecture.

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