Building Recombinant Ecologies
If . . . all sociopolitical projects are ecological projects and vice
versa, then some conception of “nature” and of “environment” is
omnipresent in everything we say and do. . . . All critical examinations
of the relation to nature are simultaneously critical examinations of
society.
—David Harvey, Justice, Nature, and the Geography of Difference
The paramount challenge in physical planning today is the development
of progressive design practices that offer broad disciplinary
frameworks to address the consumptive patterns of development
restructuring regional environments. It is not merely a matter of
finding the right spatial form, but of engaging the social and
urbanization processes such that the architecture project may be engaged
in a dialogue with the historical geographies of a context. In his book
Reworking Success: New Communities at the Millennium, theorist Robert
Theobald outlines a tripartite agenda for fundamental social change in
which ecological reforms are embedded in equitable social practices. [7]
Theobald poses new criteria for success based on (1) ecological
integrity (integration of the urbanization question into the ecological
question), (2) effective participatory decision making and, (3) and
social cohesion rooted in altered concepts of justice. Collectively
these criteria pose a challenge to the maxims of late
modernity-maximization of economic growth, compulsive consumption, and
international competition. Questions of environmental reform are
inherently questions of justice bound up in the allocation and
management of natural and human resources. Theobald’s criteria offer a
comprehensive starting point for design thinking.
The critical potential in the contemporary debate over the
environment must remain resistant to the instrumental rationality of
dominant forces that have a vested interest in shaping the debate
through their own discourses of “ecological modernization,”
“sustainability,” “green consumerism,” and “ecotourism,” just to name a
few. Consider David Harvey’s statement on the tricky dialectics of
social and environmental change:
“Part of the problem here is that environmental-ecological arguments,
precisely because of their diversity and generality, are open to a vast
array of uses to which environmentalists and ecologists would almost
certainly object. Their rhetoric gets mobilized for a host of special
purposes, ranging from advertisements for Audi cars, toothpastes and
supposedly ‘natural’ flavors (for foods) and ‘natural’ looks (mainly for
women) to more specific targets of social control and investment in
‘sustainable development’ or ‘natural conservation.’ But the other side
of the coin is that ecologists and to some degree even environmentalists
of a more managerial persuasion, tend to leave so many loopholes in
their arguments, litter their texts with so many symptomatic silences,
ambiguities, and ambivalences that it becomes almost impossible to pin
down their sociopolitical programs with any precision even though their
aim may be nothing less than a violent revolution to overthrow our whole
polluting, plundering, and materialistic industrial society and, in its
place, to create a new economic and social order which will allow human
beings to live in harmony with the planet.” [8]
Will the outcome of a sustainable consciousness in design move beyond
a compositional employment of nature that merely softens objectionable
ideologies organizing the city? The legacy of early environmental reform
in urban planning, for example (particularly along the Olmsted-Howard
Geddes-Mumford axis) tended toward “greening” schemes that sought a
metabolic equilibrium between country and city, yet stopped short of
comprehensive environmental-social transformation. Or will
sustainability be the frontier for an integrated stewardship in regional
planning, for civic infrastructures that replenish rather than extract
natural resources, for the restoration of democratic forms of social
agency in our communities, and for equitable access to public sector
services and social justice?
New Epistemology of Design
If, as Harvey states, the problem “. . . is to enlist in the struggle
to advance a more socially just and politically emancipatory mix of
spatiotemporal production processes rather than acquiesce to those
imposed by finance capital, the World Bank, and the generally
class-bound inequalities internalized within any system of uncontrolled
capital accumulation”; then design culture must reshape its imaginary
practices if it is to serve as a staging ground for environmental-social
reform. [9] Building Recombinant Ecologies is an adaptive
renewal design strategy specifically engaged in the contradictions
characteristic of the contemporary extended metropolitan landscape. It
is a pragmatic planning approach that focuses redevelopment in existing
cities and peripheries. It does not require a great imaginative leap to
think of the city as an ecology, which experiences evolutionary and
entropic dynamics, and undergoes unpredictable mutations similar to
those associated with natural systems. Recombinant Ecologies
opportunistically weave metropolitan fragments together, encoding
information from local social, political, and ecological conditions in
new formations of enriched, diversified, and sustainable-oriented
assemblages. They avoid the classic forms of utopian schemes and work in
between the cracks, while understanding that dominant processes of
resource accumulation and development will not be changed easily. Though
still the result of a measured and deliberate design process,
Recombinant Ecologies are appropriately retooled strategies resistant to
fixed compositional theories or classic gestalts. Their new forms of
coherence are contingent and knowledge-based, rather than master
planned. Newly formed planning ecologies derive their design and
managerial profile, in part, from the multiple intelligences and
vernacular technologies embedded in local sites. Coherence emerges from
combination rather than from form.
The greenway is recombination’s paradigm. Greenways are linear public
realms that arise within interstitial conditions as an attempt to
reconnect wildlife ecologies and metropolitan neighborhoods fragmented
by the leapfrog patterns of postindustrial development. [10]
As social and ecological assemblages that absorb the local conditions
through which they pass, greenways are defined by their ability to
connect. Greenways manifest an emerging genre of public space aligned
with the need for repair and curative redevelopment in our environments.
Recombinatory practices favor a redistributive politics that challenges
the unevenness in access to civic amenities, housing, and public sector
services brought on by predatory developmental practices. Within
conventional market development, radicalized possibilities that open
paths to an alternative modernity exist, as Harvey suggests:
“Fortunately, the latter powers (finance capital), however hegemonic
they may be, can never entirely control urbanization (let alone the
discursive and imaginary space with which thinking about the city is
always associated). Intensifying contradictions within a rapidly
accelerating and often uncontrolled urbanization process create all
sorts of interstitial spaces in which all sorts of liberatory and
emancipatory possibilities can flourish. How and where these social
movements within the urban process might be mobilized into a more
general anticapitalist politics is then the crucial question.” [11]
Adaptive design work that participates in reforming urbanizing
processes cannot live off the positions of current thinking. The a
priori authority of composition in shaping design decisions is
overshadowed by the unpredictable possibilities in multidisciplinary
laden recombinations. Research acquires an ever-greater status in the
design process; indeed, architecture is as much a profession disciplined
by knowledge and information as it is a craft built from the capacity
to express. The significance of design results will be measured more by
their performance-based competencies than by their signifying systems.
Akin to the tasks of an environmentalist, the work of the architect is
diversified beyond assigning a formal value to program, to incorporating
the procedural logics of management, mediation, and cultivation.
Bits, Patches, and Corridors: Building a Recombinant Ecology
Rather than oppose the city as a resource governed by the civics of
human relations to nature as a space free of human interests, our
designs projected for Eustis, Florida propose instead an urban ecology
that redeploys organizational principles from both urban studies and
ecological sciences. Looking for shared territory uncouples the mutual
exclusivity between the two and, in particular, challenges an urbanism
that has ignored the environmental movements. If we are serious about
linking sustainability to equitable resource management, then urban
structures and the built environment can no longer remain outside the
theoretical and practical considerations of the ecological sciences.
Urban ecology suggests a model of geographic coherence beyond that found
in the autonomous logics of the city or of nature. Planning for Eustis
integrates the natural technology of the local watershed with new urban
development. For instance, we examined the urban planning possibilities
offered by the bits and patches of marshy ecologies, given their
excellent capacities for stormwater management, flood control, visual
and biotic diversity, and the regulation of nutrient exchange necessary
for water purity treatment and maintenance. Wetlands are reconfigured as
a civic and recreational corridor of hydric parks that connect isolated
and socially disfranchised neighborhoods surrounding the edge of
downtown. Riparian corridors, reclaimed from privatized, industrial land
uses that commonly occupy urban waterfronts, have their biotic
functions as erosion and metabolic regulators and wildlife habitats
restored. Accounting for biotic processes in programming urban
redevelopment is an advancement on Ian McHarg’s singular use of pattern
in designating ecologically sound land use. [12] These bits,
patches, and corridors offer an expanded repertoire of socially vested
public space (particularly given the political will to create and
enforce environmental legislation that preserves and regulates these
spaces) complementary to the piazza, plaza, or square. Throughout the
metropolitan landscape these ecological patches readily provide civic
amenities, pollution abatement, biological complexity, and local
identity not matched by garden variety “greening” schemes whose
environmental visions are primarily aesthetic.
On the other hand, we explored an “ecology of urbanization” that
integrates urbanizing processes into environmental-ecological discourse.
[13] Why would the human body and its habitat stand apart
from the natural? It is an effort to overcome the antiurbanism pervasive
in ecological movements. We propose a new urban infrastructure that
adds a nonecological dimension of work to the tasks already performed by
the natural hydrological systems. Water, which covers more than 15
percent of Lake County, serves as the principal medium for a proposed
regional intermodal transportation system that directly connects the
county’s cities vis-a-vis its extensive lake system. New water jitneys
and docking systems located on downtown waterfronts are integrated with
land transportation networks. This drifting urbanism softens the impact
of new infrastructure on the environment as its modes of construction
mitigate disruptions to plant and wildlife communities. The flexibility
offered by water permits a modulated design that responds to temporal
and spatial shifts in population more readily than capital-intensive
transportation investments. The system produced is inexpensive,
convenient, and accommodating to all classes of potential users. The
ecology of urbanization demands that future design practices of any
significance account for the following questions: “To what extent are
the design and rhythms of natural and social systems compatible, and
under what criteria can we make their purposes coincide? More
fundamentally, what do natural and social systems have in common?” [14] I will explore these questions later in a more detailed examination of the Eustis projects.
The Nonequilibrium Landscape
Adaptive renewal processes in urbanization parallel those in ecology.
Like the city, a steady-state landscape equilibrium of any endurance
appears to be the exception rather than the rule. Nature systematically
undertakes creative self-destruction as a strategy of renewal as well.
Tensions between systems and conflicts in development are the normative
historic trajectory by which ecological and human systems evolve,
succeed, and ultimately reproduce themselves. Consider what
environmentalists Holling and Sanderson write about ecologies as an
analogy to the city:
“[They] do not have a single equilibrium. Rather multiple equilibria
define functionally different states, and movement between these states
is a natural part of maintaining structure and diversity. On the one
hand, destabilizing forces are important in maintaining diversity,
resilience, and opportunity. On the other hand, stabilizing forces are
important in maintaining productivity and biogeochemical cycles.” [15]
Our proposal for an urban ecology was informed by “disturbance
theory,” an environmental analysis used by some scientists to describe
the long-term behavior of ecological communities in time and space. [16]
Disturbance theory privileges the nonequilibrium, evolutionary
landscape of the patch as a paradigm, with its varying degrees of
stability and constantly shifting relations to bordering landscapes.
Classic assumptions of normalcy, with the static purity of the ecosystem
as its paradigm are replaced by this more dynamic science of analysis.
Successional stages of evolutionary growth, in all of their cooperative
and competitive combinations, more accurately depict ecological
arrangements than the taxonomies of form.
A healthy riparian corridor, for example, is constituted by a working
integrity that may not necessarily persist due to natural or human
interventions. Yet its ecological profile certainly suggests a local
strategy for responsible development that would prove inappropriate for
another site, like an upland ridge community. Patches inevitably come
and go, alternatively exhibiting a range of character from highly
complex and durable organizations to fragile monocultural communities on
the verge of nonexistence. Disturbances, even of a catastrophic type
like floods, fires, hurricanes, and human interventions, are sometimes
the most potent forces of environmental renewal at work. Nature, then,
does not have to be subjected to a systematic preservation, strict
reconstruction, or an unadaptable gestalt to embody the “natural.”
Instead, nature is a flexible and unpredictably resilient system, which
in its own work can undertake certain urbanizing tasks and rightfully
sustain long-range human interests. Such parallel theories in urbanism
and ecology liberate both from their mutual exclusivity and offer a
provisional way to synchronize their development dynamics.
Recasting Institutional Arrangements
In addition to recombinations in the physical environment just
described, environmental-social transformations require recombination in
institutional arrangements between design culture and its various
constituencies—that is, recombination in the horizon of its
organization. The ostensible social divestment in the culture of the
city is mirrored in professional design culture’s incapacity to provide
feasible alternative possibilities. Has the totality of market forces
completely overwhelmed institutional culture in the professions and
public administration? Relations among design, capital, and public
administration have changed along with capital’s historic stages of
reorganization, from strong collaborative partnering between the three
during the formation of the twentieth-century industrial city (with its
climax in the Depression-era New Deal) to weakened affinities between
market and nonmarket sectors in late capitalism. The evolution of design
culture into professional organizations was tied to the rise of
capital’s need for regulatory mechanisms that disciplined urban growth
and provided the ceremonial spaces that celebrated accumulation in the
emerging city. [17] Though design will always play an
instrumental role in rationalizing the techniques of production,
capital’s withdrawal from the public realm has diminished the need for
design in shaping the environment. Likewise, capital’s mobility to
locate production assets anywhere (preferably now on the most
deregulated sites), alongside the development of global distributive and
communicative networks (with innovations like on-time delivery), and
the employment of downsized, disposable labor pools in open shops has
weakened government’s ability to demand a corporate stewardship rooted
in people, place, and resources. The present challenge would then
consider how professional design culture might reclaim a social
responsibility in environmental design, despite the disinterest of the
market. And what kind of participatory politics could make this
possible? Since capitalistic processes are usually based on competition,
how might recombination dynamics position cooperation to be an
important ethic in the creation of value?
The architectural profession’s slippage into vocational modes of work
suggests the need to renegotiate its status with the public. Like other
professions, architecture has experienced a diminution in its
traditional responsibilities and its capacity to exercise qualitative
control over the production of its work. If professions are cultures of
work defined by the extent to which they hold a trust in the public
interest beyond the immediate needs of an individual client, then we
should wonder (as some have) if the profession as an institution is
obsolete. [18] Elliott Krause argues that the professions’
shift toward capitalist control away from a guild power has led to the
erosion of four indices that define professional identity: control over
association and training for the profession; control over the workplace;
control over the market; and control over the group’s relations to the
state. [19] But the professions are highly innovative
organizations with a keen sense of survival; originating out of
successful nineteenth and twentieth-century reform movements, they are
quite adept at creative restructuring. Let us not forget that the
professions are extensions of the market. Among the various cultures of
work, the professions exert a powerful influence on social structures
and, as such are, well-positioned to establish partnerships for
affecting environmental-social change. They only need to maximize the
potential of their unique community-building capital.
The fundamental assumption underlying ecological thought—that
everything is connected to everything else—provides us with a
metanarrative equally as compelling as the totality of the markets. True
ecological reform will entail recombined administrative, political, and
professional practices. Two possibilities for recombination come to
mind. First, beyond the education of future practitioners, the
architecture profession (unlike the medical community) does not have
strong market-producing structures in nonmarket service delivery
institutions like universities, think tanks, or public administrations.
Beyond a few scattered ad-hoc efforts (i.e., community outreach
programs) there are no sustained institutional networks within the
architecture profession committed to practice-based research,
environmental and urban scholarship, public service extension, and
creative policy construction that could leverage design culture’s
ability to participate in environmental-social reform of any civic
consequence. The Congress of New Urbanism may be an exception.
Structural reforms are not typically the products of individual
practice, which in architecture is primarily patronage-based. Nor can
structural reform emerge wholesale from the planner’s practice; based as
it is in public administration and subject to promarket municipal
politics, it suffers from an equally narrow range of effectiveness. A
vital profession constitutes more than just the sum of its individual
practices. Meanwhile, design practitioners, for the most part, occupy
specialized roles in the building industry’s division of labor. The most
costly liability has been the nonexistent collaboration between the
creativity of knowledge-producing institutions, whose subsidized
research and experimentation could revolutionize product delivery in
private practice, and market-oriented practices whose applied results
would be enriched by progressive, practice-based scholarship.
Universities, in particular, are networked across a wide spectrum of
needs, interests, and constituencies that could prove resourceful to
professional design practice. Cross-institutional arrangements could
create new socially responsible markets and diversify the meaningful
applications of design.
Second, design culture has failed to harness the creativity latent in
public sector administration. In Eustis, our decision to invite two
state environmental regulatory agencies (the St. Johns Water Management
District and the Florida Department of Environmental Protection) to work
as co-clients along with citizens’ advisory groups from the outset of
planning was an attempt to employ the regulatory apparatus for its
creative potential and technical resourcefulness. This transcended the
typical procedural relationship between designer and code enforcement
authority, favoring instead a negotiated relationship in which
regulatory intelligence is incorporated into the initial community
visioning process. Public agencies’ capacities to generate knowledge and
effective programs of application, as they codify environmental
scholarship and legislation, are too often overlooked as an invaluable
source of advice by design professionals.
Design culture has consistently purified participatory politics by
privileging the citizen charrette as the mechanism for an engaged
practice. This fails to consider that various forms of the public are
visibly and invisibly manifested throughout the political and
institutional landscape. Indeed, special purpose authorities—like the
St. Johns Water Management District and the Florida Department of
Environmental Protection—are established out of the public’s will to
secure appropriate management of its valued natural resources. Regional
political organization is an acknowledgement that the ecological
boundaries of natural systems transcend local political boundaries, and
that to be productive, ecological management cannot be subjected to
local prejudices in municipal scales of management. Though almost
nonexistent in American land law tradition, regional scales of
governance are emerging as effective responses to the fragmented
political landscape of metropolitan development. [20]
In the case of Eustis, design was an effective mediator between those
who saw land as commodity and those who saw it as community. It was an
effective arbiter between contested public realms: between the local
public that sometimes favored economic development to the detriment of
ecological integrity, and the regional environmental agencies that were
occasionally driven by their single interests—neglecting that everything
is connected to everything else. In connecting conceptions of property
and justice with design, sociologist Dana Cuff observes that such
“contentious developments offered the possibility to create a public
realm that would otherwise have no proponents.” [21] More
than language or speech, the unique visioning process of design can
mobilize imaginative resolutions even when consensus seemed impossible.
Design demonstrates “through representation of the land’s physical
development—into houses, parks, environmental preserves, commercial
enterprises—that the costs and benefits of one group’s speculative
venture becomes meaningful to another group.” [22] Even
architects collectively underestimate the full transformative capacities
of design. Cuff goes on to remark that if design culture is to assume a
leadership role in environmental-social stewardship, then:
“It implies a level of education about the city and the environment
that architecture schools have yet to achieve. It implies a level of
political participation that does not presently characterize our
profession. And it implies that architects must understand and advocate
exactly those regional issues which typically have no constituents.” [23]
Design culture’s synthetic capacities could play an invaluable role
in positioning recombination among institutional ecologies for
environmental-social reform. The success of reformist visions will be
codetermined by the level of creativity exercised throughout the
institutional framework in which design culture works. It is to the
practical application of Recombinant Ecologies’ framework that I turn in
the examination of our work for Eustis, Florida.